
After stealing them, all three men head towards the open sea.Īfter riding across the ocean and putting distance between them and the cops, Franklin figures that the cops would have a harder time catching them if they all split up. As they ran towards the open water, they see the rapper MC Clip and a group of girls in colourful bikinis dancing for a film crew in front of three jet skis. Franklin and Trevor follow Lamar through a narrow alley that he found in an effort to help the men escape. In the heat of the battle, the LSPD show up to deal with the situation.

The throbbing score violently begins to increase as more armed Ballas members appear in Felons disposed to kill the trio as Chop runs back home. As Trevor grows frustrated, he snatches the block from out of the dealer's hands, and snaps it in half, proving his skepticism to be correct after all it was just a gram of nose-candy along with drywall filler. He asks if they can take a sample from the other side of the brick, but the dealer refuses to do so and instead plays hardball, emboldened by Franklin's eagerness to leave as soon as possible. Once it's cut open, Lamar gets a taste and is extremely eager to hand over a large sum of cash for it. The dealer opens the door suspiciously as all three men are presented with a white block wrapped in plastic. After reaching Grove shortly, everyone gets out of the van and follows Lamar up to one of the houses. The men load themselves into the back of Lamar's van, along with Lamar's dog Chop, and head to Grove Street, where they'll do the exchange with the Ballas. At that moment, a drug deal sounded ravishing.


After giving Denise a few bucks and shooing her back into the house, he says his reason for being there is to make new friends. Franklin however doesn't want to be apart of the petty gang banging in any way possible. The mission begins at Franklin's house, where Lamar and Denise heckle the latter for his neglect of the CGF as of late. As said above, the mission can be introduced in either Franklin's or Trevor's perspective.
